![]() "100," a slinking guitar groove produced by and featuring the Atlanta trap trio Watch the Duck, includes Azalea running down her shopping list: "No Michael Kors, just Tom Ford." She invites haters to "walk a mile in these Louboutins" on "Work," a trap anthem that describes Azalea's hardscrabble background: "Sixteen in the middle of Miami, no money, no family." Clearly she's come a long way. Helmed by a who's-who of in-demand producers (The Invisible Men, The Messengers, Stargate), The New Classic is impossibly sleek, its beats revved up and zooming like a Ferrari down Rodeo Drive. ![]() The rapper's forthcoming project 'End of an Era' is slated for release this year. Having finally arrived, it posits Azalea as pop-hop's latest superstar: a nimble, catty rapper who sounds perfectly at home amid a panoply of club-destined bangers. Iggy Azalea is back with two new songs, including the dance-ready 'Brazil'. It's a good thing the rapper/singer/model has such resolve her debut album faced long delays as she navigated the major-label maze. "Ain't no going back now," sings Australian triple threat Iggy Azalea on the majestic opening track of the emphatically titled The New Classic.
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